Benico del Toro channels a petulant, tantrum-wielding child when confronted by the grim reality that his romantic revolutionary hero was nothing more than a hate-filled, opportunistic, bloodthirsty murderer...
Guevara was instrumental in the creation of Cuba's forced labor camps, which were used to imprison and extract work from those who had committed no crimes but were thought to be insufficiently revolutionary.
The policy of extrajudicial imprisonment that Guevara favored would later expand to include political activists of all stripes, musicians, artists, homosexuals and others deemed to be dangerous to the maintenance of the Stalinist regime. (Librarians - WW.)
[..]
Critics of "Che" have suggested that the film whitewashes its protagonist's legacy and that it's impossible to understand the man by glorifying his more romantic aspects while ignoring his darker side.
"We can't cover it all," Mr. del Toro said. "You can make your own movie. You know? You can make your own movie. And let's see. Do the research."
Mr. Valladares is afraid that Mr. del Toro and Mr. Soderbergh's film will make people forget the reality that was Che Guevara's life.
"Benicio del Toro is just one of the many accomplices of the Cuban tyranny," he said. "All the murderers of people have had accomplices and people who made excuses for them. Stalin had them, Hitler had them, Pinochet had them, all the dictators have had apologists for them. Che Guevara and Fidel Castro also had them."
I guess that's the beauty of Hollywood, where everything has a do-over and life can be as good as the film editor cuts it -- you're not troubled by the grotesque details of reality and the most contemptible creatures catch the light of virtue, courtesy of selective willful ignorance and a key grip.